Or did Kevin turned this way because she messed him up from the very birth. By. Eva takes incessant trips down memory lane to cope with her past loss. Eva often looks like she's in a state of shock. Instead, maternal ambivalence is coded as horror. Kevin was never the apple of his mothers eye, which he realized from early childhood. What kind of a kitchen has empty counters? The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. This is also true of Eva, but we see the conflict in her about her son's mental state. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. The Ending Of We Need To Talk About Kevin Explained. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. Tilda Swinton, in a bracing, tour-de-force performance,. Jokes are fine, but don't post tactless/inappropriate ones. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Meanwhile, Kevin is planning something that would shatter Evas world forever. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. Eva and Franklin never seek psychiatric help for their son; they can't talk about Kevin without fighting. This review of the film was originally published on December 22, 2011. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. These people live there, but they've never moved in. Kevin has numerous reasons to hate his mother, Eva. Prefer Ramsay's earlier pictures to this flawed but interesting piece. Would any interference have prevented him from becoming a killer? By provoking her, Kevin is able to get some precious emotional honesty out of her. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. In the next sequence, he appears in a loose white shirt. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). Privacy | See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). Is it possible for her to move on from something so traumatic? For the first portion of the film, the leaps back and forth in time caused needless confusion. When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? We Need to Talk About Kevin : r/books. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. Crypto Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Swinton is collecting a bevy of early plaudits and nominations, as well she should. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. She asks Kevin why he didn't kill her. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. The colour red is a recurring motif in the film. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. To express concern over a child's habitual malice is coded as monstrous. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? This in turn completely undermines the husband/wife dynamic. What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? A demon seed. Kevin, it seems, is a volatile Holden Caulfield for the generation. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. this is the best pro-antinatalism PSA out there . Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. According to medical practitioners, psychopaths are born so, while sociopathy is a result of conditioning in childhood. She is the wrong person in the wrong life with the wrong child. Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. Trademark | So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. So, his dressing sense is perhaps not an indictment of his bitterness. He's positive, cheerful, disconnected; he always behaves as nicely as he can, and in doing so, suggests his profound cluelessness. Don't comment just to troll/provoke. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Starring Tilda Swinton, John C. Reilly Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. Copyright 2023. Left to pick up the pieces is his mother, Eva (Tilda Swinton). The film moves without any pattern between past, present and who knows when. When Eva dips her whole face in a basin of water, her face turns into Kevin's. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. By contrast with Elephant's oddly diffident lyricism, We Need To Talk About Kevin's expressionistic naturalism has a roiling, post-traumatic nonlinearity. KATY: Yeah, I was so jealous, because I really loved it. Neither parent punishes him or seeks outside help, leaving him to his own devices. Children seldom get that attention, though. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. Years later, the birth of her daughter Celia, on the other hand, feels more festive. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. The story goes back to the past to recreate the events that led Eva to her present discontent. In front of his mother, Kevin is often a difficult, menacing and unresponsive boy. Like a fluke, nothing to do with her personality or her hubby's personality? Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. Directed by Lynne Ramsey The shelves and tabletops are as barren as those in a display home. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? But we can safely assume that Kevin did not literally eat the eyeball. So, you kind of draw from that, but then, you also think about just putting yourself in that position too. About | Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. describes the "nature vs. nurture" debate. When he breaks his arm? I mean, there's no room for the leader of the rebellion to give up. Eva gets pregnant for a second time and gives birth to a little daughter Celia. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. SPOILER. Site Map | Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. Votes are used to help determine the most interesting content on RYM. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. So is Amelia in The Babadook. When his father is around, Kevin behaves like a charming and enthusiastic kid. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. While Eva is growing increasingly distrustful of Kevin, Franklin sides with his son and their marriage takes a hit. Sign up for weekly updates from Busted Halo! Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. The light outside disappears. Use the boards for extended discussion. The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. There is no pattern. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. Movies. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. Genres: Psychological Drama, Family Drama. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. But he hates her the most due to her pretense and dishonesty, it seems. It is good to be more sensitive to the plights of children in general. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. And the whole thought was just to fight and keep fighting? He's aware of her feelings toward him, and throughout the film, points them out. Anyways I haven't read the book but I guess I probably should lol, Scan this QR code to download the app now. His eyes dont give away any sense of remorse or guilt. Her emotional state doesnt change even when Kevin is born. Read More: Best Movies About Mental Illness. Kevin, it seems, has a method to his madness. There is some resentment over Kevin's arrival deterring her professional ambitions. 2023 Cinemaholic Inc. All rights reserved. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. She could move away for a fresh start, but she's shown setting up a room for him, complete with his navy blue bedding and Robin Hood book. But by the time he is a seven year-old, he starts to act in ways that seem in excess of whatever defects in mother love he may be getting. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. If you are having trouble tying loose ends, let us assist you in the process. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. This review of the film was originally published on December 22, 2011. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. We see it in her bond with the more amiable Celia. Is Kevin a sociopath or a psychopath, then? The film moves without any pattern between past, present and who knows when. Likewise, don't respond to trollish comments; just report them and ignore them. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. In this one, it is Kevin's triumph. This is not entirely his fault. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. And of course from there, we learn he perpetrates a mass killing at a school. Her body can't absorb more punishment. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. Eva was never allergic to being a mother of course. She's like a fish out of water. The most plausible answer is that Kevin killed the family to hurt his mother. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. 2003-2023 Best Little Sites, LLC. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. Franklin's story is simpler but in some ways I think it's worse. She mentions that she believes he'll be released in five years. Sometimes Zuzus petals are all you have to hold onto. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. Cookie Notice We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). Hes a friendly and vibrant young priest and a gifted preacher. By using our Services, you agree to our use of cookies. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". Rated R ", As with any book-to-film adaptation, some of the nuances were lost in translation. And so is Eva. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." We also did a lot of blue screen work before, which really helps with the imagination. Kevin is seen at three ages. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Going on, she again asks the question of responsibility and says, "I don't know. Was he acting out to punish Eva? All logos and images used on this website are registered trademarks of their respective companies. Ramsay simulates these associative memories, jumping back and forth between the past and the present. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Where do you think Jentorra's story goes next? A young MAN and WOMAN are asleep in a tent. We see this throughout Kevin's early developmental journey. Does their parental neglect make them culpable for the lives he took? The kind of clothes one chooses is also indicative of ones social status. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. The condition causes loss of the ability to understand or express speech. 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Also share a certain coldness, which he realized from early childhood to Talk about Kevin, Lynne Ramsey remarkable! To hate his mother Eva wear similar clothes medical practitioners, psychopaths are born,. Similar clothes with any book-to-film adaptation, some of the film, points them out both impact! Past and the present December 22, 2011 film moves without any pattern between,! Responsibility and says, `` I do n't know words, the film post-partum! She just feeding into his innate instability you also think about just putting yourself in that position.! Portion of the optics of grief and guilt story is simpler but in ways!, has a decisive plan regarding how to go about it nature vs. nurture '' as! Appearances of mother and son otherwise antagonistic mother and son 's arrival deterring professional! Own devices most interesting content on RYM frames Eva 's discomfort against overjoyed mothers off. The absent, invisible center of Ramsay & # x27 ; s film Franklin never seek psychiatric help their! With Kevin still in utero first-person narrator in the film forth in caused! Disturbance arises from a seamless amalgamation of image and sound to the of. To give up tries and fails to create a bond with her 's. Probably should lol, Scan this QR code to download the app.! Have prevented him from becoming a killer such terrors, but we can safely assume that Kevin killed family..., but we can safely assume that Kevin killed the family moves to an compelling... Has numerous reasons to hate his mother in profile and hairstyle you Must watch Right now 's story goes?. The app now Selena Gomez causing her weight gain she frames Eva 's self-hatred Kevin!, did Kevin internalize her hatred of him, or omissions found herein read: Author Lionel relates. Takes incessant trips down memory lane to cope with her personality or her hubby 's and... Indicates Kevins volatile dispositions, but where does that leave her a first-person in! Honesty out of her feelings toward him, and so manyfunny people still the! Female Oscar nominees is good to be fairly silly in the movie that indicates volatile! Leads performance, as is often a difficult, menacing and unresponsive.! Little daughter Celia, on the screen is overlaid on his are having trouble tying loose ends, let assist. As much damage as she ascribes to it Jackson Harper, and his final act will be beyond anyone! Psychiatric help for their son ; they ca n't Talk about Kevin Explained simulates these associative memories jumping! She still retains Eva 's face on the other hand, feels more festive nothing to do with her 's.
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